Description
The Soundcraft Vi2000 Digital Mixing System provides live sound engineers, touring productions, and A/V installations with a comprehensive mixing solution featuring three touchscreens, 28 faders, 24 busses, advanced SpiderCore processing, and multiple effect options. A host of powerful features including Faderglow, VM2 microphone monitoring, and Vistonics provide an intuitive and user-friendly mixing experience, while the 40-bit floating-point DSP environment, running STUDER, BSS, Lexicon, and dbx algorithms ensure outstanding sound quality for your events.
Soundcraft Vi2000 Specs
| Control Surface | Input Faders: 16
Output Faders: 8 +3 (LRC Masters) +1 (Monitor A/B)
Total Faders: 28
3D Vistonics Screens: 3 (2 Input, 1 Master)
Fader Bay Operation: 4 x Fixed Input Layers A/B/C/D Giving 64 Inputs on 16 Faders
Input Channels Can Be Assigned to Master Bay for 24 input Faders
5 x User Layers 1 thru 5
1 x Busses 1 to 16 Layer Plus Screen Assign 17-24, for 24 Mono/Stereo Busses
VCA/A/B/C/D/E Output/Input Fader Pages, (A-E User Definable) |
| Input/Output Connectors | Mic/Line Inputs: 48, 32, or 16 Configurable (Maximum 3 x 16 Channel Out Cards of 4 Total)
Last 5 Outs Default to Local Monitors but Can Be Repatched
AES/EBU Input: 2 (4 Channels ) Plus Optional 16 Channels via Vista1 Card (Remove 2 Mic or Line Out Cards to Fit)
AES/EBU Output: 2 (4 Channels) Plus Optional 16 Channels via Vista1 card (Remove 2 Mic or Line Out Cards to Fit)
TB Mic Input: 1 Front Panel, with Rear-Switched 48V
Phones Output: 1 Stereo Jack, under Armrest
Optical MADI In/Out: 1 (Outputs Paralleled with Dante Interface)
Dante Ports: 1 x 64-Channel In/Out (2 x Ethercon Pri/Sec)
Dante Inputs Are A/B Switched with Optical MADI
D21m Option Slots: 2 Double/4 Single (Total 128 Channels)
AES/EBU Input Sample Rate: 32 to 108 kHz (with SRC enabled)
Total Number of Simultaneous I/O Channels: 246 Inputs / 214 Outputs (Assumes 48 Mic In / 16 Line Out Configuration) |
| DSP Section | Soundcraft SpiderCore
Processing: 40-Bit Floating Point, 48 kHz Sample Rate
Input Channels to Mix: 96 Mono Pairable to 48 Stereo
Busses – Aux/Grp: 24 Mono/Stereo
Busses – Matrix From 24 Bus Pool: Maximum 16 Mono/Stereo
Busses – Master: 3 (LRC)
Assignable Insert Points: 64 + 4 FX
Tie Lines: 128 (Allow Stagebox I/O to Connect to Local I/O without Using Mixing Channels)
Lexicon FX: 4 Units (14 Reverbs, 7 Delays, 8 Pitch-Shift Effects in Each Unit)
Tap Delay from F-Key 1 – 4
BSS Dynamic EQ: 8 Instances of DPR901ii 4-Band DEQ
vMIX Automixing: Up to 2 Groups of 16 Input Channels
BSS GEQ: 24 Mono/Stereo +LRC |
| External Ports | Control
Ethernet: 1 (Dedicated HiQnet / Realtime Rack Control)
MIDI: 1 In, 1 Out |
| Other Ports | Mains Input: 2, Switched (Redundant Power Supplies Built In)
USB 2.0: 4 (2 Front, 2 Rear)
Wordclock: In/Out 2 x BNC
DVI Out Reserved for Future Use
2 x Gooseneck Lamp 4-Pin XLR for Rear Panel Illumination |
| Stagebox | Optional, via MADI Optical or Cat 5 Option Cards Fitted to D21m Expansion Slots. Can Connect up to 2 x 64-Channel Vi Stageboxes. Also Compatible with Compact Stagebox and Mini Stagebox
Frequency Response, Stagebox Mic Input to Line Output: 20 Hz to 20 kHz (+0/-1 dB)
AES/EBU In to AES/EBU Out: 20 Hz to 20 kHz (+0 /-0.2 dB)
THD+Noise: 22 Hz to 22 kHz
Stagebox Mic In (Min Gain) to Local Line Out: <0.003% @ 1 kHz
Stagebox Mic In (Max Gain) to Local Line Out: <0.020% @ 1 kHz
Local Line In to Line Out: <0.003% @ 1 kHz
Mic Input E.I.N: <-126 dBu (150-Ohm Source)
Residual Noise: -91 dBu Stagebox Line Output; No Inputs Routed, Mix Fader @ 0 dB
CMRR, Stagebox Mic Input: 80 dB @ 1 kHz
Sampling Frequency: 48 kHz
Latency: Stagebox Mic Input to Local Line Output: < 2ms @ 48 kHz |
| Digital | AES/EBU Input Sample Rate: 32 to 108 kHz (with SRC Enabled)
DSP Resolution: 40-Bit Floating Point
Internal Clock Accuracy: < +/- 50 ppm
Internal Clock Jitter: < +/- 2 ns
External Sync: BNC Wordclock |
| Levels | Mic Inputs: +28 dBu Maximum
Line Inputs: +22 dBu Maximum
Line Outputs: +22 dBu Maximum
Nominal Operating Level: +4 dBu (-18 dBFS) |
| Input and Output Impedance | Mic Inputs: 2 Kilohms
All Other Analog Inputs: >10 Kilohms
Line Outputs: <75 Ohms
AES/EBU Outputs: 110 Ohms |
| Oscillator | 20 Hz to 20 kHz, Pink/White Noise, Variable Level |
| EQ Controls | Stagebox HP Filter: 80 Hz Fixed, 12 dB per Octave
Channel HP Filter: 20 Hz to 600 Hz, 18 dB per Octave
Channel LP Filter: 1 kHz to 20 kHz, 18 dB per Octave
EQ (Inputs and Bus Outputs) – HF: 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 or Shelving
EQ (Inputs and Bus Outputs) – Hi – Mid: 20 Hz to 20kHz, ±18 dB, Q = 0.3 to 8.7
EQ (Inputs and Bus Outputs) – Lo – Mid: 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7
EQ (Inputs and Bus Outputs) – LF: 20 Hz to 20 kHz, ±18 dB, Q = 0.3 to 8.7 or Shelving |
| Metering | Internal 20-Segment LED Bar Graphs Plus 9-Segment Gain Reduction Meters for All Inputs and Outputs
Peak Hold Variable from 0 to 2 Seconds |
| Power | Mains Power Consumption: 250 W |
| Operating Temperature | 32 to 113°F / 0 to 45°C |
| Storage Temperature | -4 to 140°F / -20 to 60°C |
| Humidity | 0 to 90%, Non-condensing, Ta = 104°F / 40°C |
| Dimensions | Height (Console Only): 13.8″ / 351 mm
Width (Console Only): 45.5″ / 1155 mm
Depth (Console Only): 31.6″ / 803 mm
Height (with Factory Flightcase): 44.1″ / 1121 mm
Width (with Factory Flightcase): 48.9″ / 1243 mm
Depth (with Factory Flightcase): 20.4″ / 517 mm |
| Weight | Weight (Console Only): 99.6 lb / 45.2 kg
Weight (with Factory Flightcase): 265 lb / 120 kg |
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